MOMENTS IN MUSLIM AMERICA
meta camera overload. 

meta camera overload. 

blur on blur. kids on kids.

runaways in edhi child home korangi. omar and shehr

runaways in edhi child home korangi. omar and shehr

closed eyes, type

a frequent walk through my daily path is sometimes deliberately boring so i can try to ake more time to hink. routine is good for the mind to not worry about what you’re doing and focus on doing more creative thinking. thewhen you are in the process of going through a difficult day without any routine or limits, than you are screwed and the day goes to shits.

i am not sure how things will pan out here in PK but its important that we stay focused, busy and continue our on our way to filming nad ifinishing this movie. this is ambitious. it is overly abtiouuos in a lot of ways but we have to foncotinue working because we cant stop. what will stopping achieve for us? nothing/ in fat, it would just be a personal failure. inshaAllah kahir. we have all these supporteres behind us that support what we are doing. so lets hope that will pan out.

i am proofoundly terrified with how things will come thogether. lets just pray that time is move on and we all will see how things will be.

i am tired. i am tired. i am happy to be on my own in a lot of ways. a mamn should not be dependend on hia woman. a man is only dependent on his Lord. his LORD i, the creator the mericuful. the ONe ho has created us all.

the reason why man should only fear and base eeverything off him is cos of gratefulness. its cos of shukr. whetehte ryou are a kid with bees infesting our of your mouth or if you would go and dehydrate yourself from the heart.

the edhi abulance doesnt give a shirt. youd faint and we’d all have.

this is seirous busyinsess.

i am ired and will come later.

i only cnare if sufan doesn well.

my bet man…

there is a sense of incredibly writingness that comes from closing your eyes and just letting the fingers type. there is suddenly a sense of rfree writing that i feel hat im losing. the problem is there is so much on the walls that i get distracted and dont know what im talking about.

ok. lets gop tp s;ee[ mpw/

bassam

ok, feeling

i make an okcupid account and add some photos. if i get some hits then i will feel good about myself. if i get no hits than i will forget it ever existed, delete the account and then delete this post. one way or another, this is not going to end well. there is night ahead and i should sleep.

salams.

edhi and me

i wonder how and when things will come together . we now edit what we can and try to move forward. bismillah

dancing in better urdu

dear edhi sahib

i am right now a little worrid on where you are taking us. maybe this is the way you work. where you are not sure in the beginning or you sway after your first initial thoughts. i don’t know what to say. i believe you are the man that i have read about, that i have dreamed of meeting and working side by side with. i believe it, even after our conversation today.

so let me start from the top and lets see what we can get to.

omar and i get out of the rickshaw. we have made it to mitadhar, one of the oldest areas of Karachi. it is said the memons run this joint. we dont know much about it. just that it is difficult for any four wheel car to make it through the narrow passageways. your best bet is to grab a rickshaw, donkey, or just walk your way inside. of course, we had no choice but to take a rickshaw. our equipment was with us and it makes us stick out. we hide it on our way there because we’re afraid of what it would look like.

we finally make it to mitadhar. our rickshaw driver had to ask a couple of people to find it. i would easily get lost in the mess. but here we were again. our second time here, ready for our third rendezvous two months later.

i get out of the rickshaw look at the fading sign and the countless ambulance drivers idly sitting around. i look back towards omar and say, ‘round three.”

he nods.

we walk in, take a deep breath. see the row of women sitting around outside of Edhi-sahib’s office. We go in and sit down in Edhi-sahib’s office and wait for him.

edhi sahib comes in and we get up. say Salams to him.

“do you remember us?” i ask him jokingly.

“yea, but there’s no result!” he responds back with some fervor.

i try to make up for coming in empty-handed. we had forgotten to bring the bilquise photo that we framed and wanted to give edhi-sahib. i mention it to him, but he doesnt care. he sits down across from us.

“i told kazmi-sahib to not send any americans to me”

“good, cos we’re pakistani” omar jokes.

this is an awkward moment. this man had met us in the states close to a year ago and said to us that we can follow him even if he went to swat.

but whatever. we continue to assert our pakistaniat. which just wasn’t enough for him.

“so what do you want now?” he asks.

“two days with you. we wont be in your way. you wont notice us. we will be quiet.”

“no.”

he moves his hands like he was unscrewing light bulbs as they do in bhangra. this, of course, would be a fitting metaphor if edhi-sahib was punjabi. but it is what it is. and it was a little sad. but we didnt flinch. this was an expected answer. but we didnt stop.

“acha.” i say.

silence fills the room, again.

he continues on a spiel about the uselessness of our work. omar makes his plea and tlaks about how his mother talks about his work. i talk about the man that i read in the book. he dismisses us.

in a final plea, omar mentions how our work is like his. it is small, it is change you cant see, but it is worth it. all this penny pinching days, all this blogging, email writing, boom mic holding, 5d wearing is worth it.  we know it and inside somewhere, i have to believe he knows it.

he looks at us “ok, come back in two days. im not feeling so well right now.”

we nod and try to make a little more small talk. he doesnt want to hear it. he gets up.

the nicest way i think he could have told us to “get the fuck out.”

we leave. i smile at the pathan girls. they dont smile back. we continue our way out and share a hug. the second dance is over but the adrenaline rush is just hitting me. we step outside of mitahdar and see a slew of people staring at us with all our equipment in our hand.

i flaunt it, not giving a shit. im ready to kick some ass with my boom stick. a surge of energy that maybe i havent felt in a while has hit me. and any asshole in mitadhar that’s gonna get in my way, will have his face buried with the back of my boomstick. not cos i dont want you to fuck with my equipment. i just dont want you to ruin this one fleeting moment of joy and energy that i haven’t felt in awhile.

shot

i leave my camera in the car. we run to the ward where a CHHIPA blanket covers the body of a man with his mouth open. there is dried blood by his head and flies all around him. he is dead. we knew this and that’s why we ran here. i forget to bring my still cam, but have my boom ready and making sure the levels are fine. this is new territory for us. omar takes a deep breath and continues to film. we have talked about filming the dead to death, figuratively and are never too sure about including it. how do you keep the dignity of one that has no life? there is no moment that can save them or give a backdrop of their life. at this point, they are a part of the houseflies and the morning after headlines.

the man that was shot looked like my age. actually, to be honest, i didnt want to look to long. i knew that i’d be seeing his face in the edit room soon enough and i’ll let the nightmares begin then.

he was sindhi and was part of a rival political gang. there was a shootout between him and the rival pathaans. what area? i can’t remember. 

we left immediately after we got what we needed. we didn’t follow up nor did we try to get any more info so we could follow up on this. i blame a little of it on our madadghaar as he pulled up with patients and was yelling at us to jump in. it was a tough call and i’m not sure if there was anyway around it for us.

we’re walking on eggshells at this stage. there is so much more left for us to get and we havent got everyhting we need. there is about 12 more days of important shooting. Edhi sahib, Shahzad, some woman character, and a hell of a lot more asad. lets not forget karachi as well. ALL in the next 12 days. breath. we can do this.

im longing for a hydra with whom id like to have a heart to heart with. the conversation will take us somewhere nice. to places of great saints and beautiful buraqs. i will make him laugh and tease him here and there.

but when he creeps up a little and touches me i will slap him in the face. he will cry and run away in shame. i will realize a minute later that i was leading him on.

but what do i do then? do i run after him and apologize or do i sit here and mutter under my breath, fag.

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